Any artist can tell you that rushing the process can have
the unintended effect of tainting the quality.
And when someone is contractually obligated to produce material, such as
musicians, forcing the creativity happens quite frequently. Everyone knows of a
band or artist that obviously took a nap on one of their albums to meet a
deadline (Mine is Lupe Fiasco’s “Lasers”, which quite frankly, sucked an
immense amount of ass). So it would seem that anyone trying to stay true to
their craft would rather incur whatever penalties the label might offer in
order to preserve the legitimacy of their catalog. Perfect example: Dr. Dre’s
“Chronic 2001”. Nothing short of immaculate, even after the years of push backs
and hype that it couldn’t-but-somehow-managed-to-(and-then-some) live up to.
But how long is too long? At what point is someone just spinning their wheels
as the window closes on their relevance? Let’s look at some examples:
The Beach
Boys – Smile
Dr. Dre-
Detox
Guns’N’Roses-
Chinese Democracy
Similar to Detox, this is another album that had
seen its date pushed back more times than a guy asking a girl out who really
doesn’t want to but is just too damn nice to say no. There was evmore false hope for Axl Rose’s brainchild than Detox though,
because G’N’R had released 5 albums in the 6 years prior to the start of its
recording in 1994. After numerous lineup changes (some member’s exit being
credited to the totalitarian atmosphere and requirement of absolute perfection
from their frontman), vague utterings from the studio, and a couple teases with
live performances, the album finally came out in 2008. It sold well due to
droves of loyal fans, but was a C+ level effort at best (Leading to this writer’s
lifelong rule of never trusting anyone who wears an empty bucket of chicken on
his damn head.)
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| How his Mother never beat him, I'll never know... |
Jay
Electronica- Act II: Patents of Nobility
(The Turn)
After gaining attention outside of his Southern
demographic with the most ambitious song ever by an unsigned rapper with 2007’s
Act I: Eternal Sunshine (The Pledge), Jay Electronica has signed with Roc
Nation, released a certified classic with “Exhibit C” (the most “freestyled on”
beat ever. EVER.), and put out some
pretty solid guest verses for a varied group of artists in that time (including
a widely overlooked closer on “Control”. Going after Kendrick must suck.), he’s
put out a couple of songs to hype his Roc Nation project, but hasn’t even
flirted with the idea of a release date yet. With the hype level he has at the moment, it would be wise for
him to strike within the next 18 months or so, because unproven rappers with
lofty expectations are often met with a fickle response by the average hip-hop
fan (*cough*Papoose*cough*).
Andre 3000-
(As Of Yet Untitled Album)
This is probably the most aggravating entry on
this list. 3 Stacks has been recording at a steady, if somewhat slow pace since
Outkast’s 2006 project Idlewild. Musically, he’s proven to be as ambitious as
Brian Wilson time and time again, most notably on his half of Speakerboxx/The
Love Below, which won them Album of the Year. He’s touched on funk, jazz, blues,
pop, R&B, and spoken word, often all on the same album. And his features
are usually a surprise, and always on a level no one in the game can compete
with. (See: “Walk It Out”, “Throw Some D’s”, “Green Light”, and “You”). There has been a demand for a solo album as
far back as anyone can remember, but Mr. Benjamin has always been vocal about
taking time off of music to focus on his acting, children’s show, and fashion
ventures. But with the recent reports of a release date for early next year,
and the widespread anger after the rumor was dispelled the next day, it’s clear
the demand will be there, and judging by his output, the content will be too. Note to all future artists:
if you like releasing music frequently, DO
NOT sleep with Erykah Badu.
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| No! |
Lauryn Hill/D’Angelo-
(As Of Yet Untitled Albums)
I’m coupling these two together, because the albums have had
similar trajectories, and I expect the same results. After each releasing
amazing debuts (“Miseducation” and “Brown Sugar”), these two took a sabbatical
(4 and 7 years, respectively) before coming out with a follow-up (“Unplugged”
and “Voodoo” (Although it might not count to some, “Unplugged” was all original
material, and it’s my article, so I’ll allow it.). They both then fell off the
cultural map, returning briefly to tour before encountering legal trouble.
Although they have both released tracks sparingly in recent years, the demand
seems to be there if either can finish a record. A joint album could be a good
option, with these two already having a duet on Hill’s “Nothing Even Matters”.
If the work is sub-par however, it’s very possible their album’s will be swept
under the rug and compared to contemporary chart-toppers like Adele and Frank
Ocean. The evidence seems to say that a long wait isn’t unbearable
to fans, providing that the work is up to snuff. It seems to come down to the
artists for whether or not they have the confidence to produce and release what
they deem acceptable. Out of all the people on this list who haven’t released
their albums yet, I don’t believe all of them do (feel free to disagree.) My
predictions are as follows:
- Dr. Dre: C+/B- (with A level beats)
- Jay Electronica: A- (but only to his fan base)
- Andre 3000: A/A+ (Editor’s note: I’m biased as hell on this one.)
- Lauryn Hill: B/B+ (depending on guests)
- D’Angelo: B- (due to obscure subject matter)
Feel free to offer your opinions/predictions in the
comments.



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